{"version":"1.0","provider_name":"Quiltfolk","provider_url":"https:\/\/www.quiltfolk.com","author_name":"Teresa Duryea Wong","author_url":"https:\/\/www.quiltfolk.com\/journal\/author\/cf08b656166c0f99\/","title":"One Year After an Uncomfortable Choice for Best in Show - Quiltfolk","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"rD0vt60BrC\"><a href=\"https:\/\/www.quiltfolk.com\/journal\/one-year-after-an-uncomfortable-choice-for-best-of-show\/\">One Year After an Uncomfortable Choice for Best in Show<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.quiltfolk.com\/journal\/one-year-after-an-uncomfortable-choice-for-best-of-show\/embed\/#?secret=rD0vt60BrC\" width=\"600\" height=\"338\" title=\"&#8220;One Year After an Uncomfortable Choice for Best in Show&#8221; &#8212; Quiltfolk\" data-secret=\"rD0vt60BrC\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/quiltfolk.s3.us-west-2.amazonaws.com\/wp-content\/uploads\/20250422154434\/GinnyQuiltCon2024-1-Horizontal.jpg","thumbnail_width":1920,"thumbnail_height":1280,"description":"One year after winning Best in Show at QuiltCon 2024, teacher and artist Ginny Robinson reflects on the impact of her powerful protest quilt, What We Will Use as Weapons: A List of School Supplies. In this thoughtful essay by Teresa Duryea Wong, readers learn how Ginny\u2019s deeply personal piece\u2014now part of the International Quilt Museum\u2019s permanent collection\u2014sparked emotional responses worldwide and revealed the quiet, everyday trauma teachers and students endure."}