{"version":"1.0","provider_name":"Quiltfolk","provider_url":"https:\/\/www.quiltfolk.com","author_name":"Teresa Duryea Wong","author_url":"https:\/\/www.quiltfolk.com\/journal\/author\/cf08b656166c0f99\/","title":"A Harriet Powers Quilt Made in China? Not so Fast, Say the Quilters - Quiltfolk","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"IQ2821iGjM\"><a href=\"https:\/\/www.quiltfolk.com\/journal\/harriet-powers-quilt-made-in-china\/\">A Harriet Powers Quilt Made in China? Not so Fast, Say the Quilters<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.quiltfolk.com\/journal\/harriet-powers-quilt-made-in-china\/embed\/#?secret=IQ2821iGjM\" width=\"600\" height=\"338\" title=\"&#8220;A Harriet Powers Quilt Made in China? Not so Fast, Say the Quilters&#8221; &#8212; Quiltfolk\" data-secret=\"IQ2821iGjM\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/quiltfolk.s3.us-west-2.amazonaws.com\/wp-content\/uploads\/20240415090235\/4476_QF-30-HARRIET-POWERS-1-H2.jpg","thumbnail_width":1920,"thumbnail_height":1280,"description":"Harriet Powers is one of America\u2019s most famous quilters. Her two surviving quilts from the late 1800s are considered priceless treasures of American art. But there was a time\u2014in the early 1990s\u2014that the Smithsonian Institution flat-out underestimated the fame and adoration that American quilters held for Harriet\u2019s quilts. They learned quickly just how far quilters would go to protect their most treasured historic quilts, and the episode that followed is a fascinating and little-known chapter in American quilt history."}